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The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the ‘Turk’ as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene.

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