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Th e Routledge Companion to Mobile Media is edited by Gerard Goggin and Larissa Hjorth. Between them they have produced several earlier handbooks and reference works in the fi eld:

MedieKultur 2017, 63, 156-158 With this decidedly poor attempt at meme-making, I will introduce an expert in meme theory and meme analysis. Th e World Made Meme is a culmination of Ryan Milner's PhD dissertation and several of his academic publications related to memes over the past fi ve years. Milner is currently an assistant professor at the College of Charleston, where he is

Danish legal deposit legislation mandates that the Royal Danish Library must collect contemporary culture for the benefi t of the public and researchers, now and in the future. In this article, I analyse how the move toward access models and the subsequent streamifi cation of media content challenges the collection of cultural heritage. I draw on empirical data from two central activities. The main empirical data stems from archival research and interviews with the library’s internal and external stakeholders. Th e second source of empirical data is the in-house testing performed by web curators when they analysed the collection of streaming-only content via an API from the Danish Broadcasting Corporation (DR). The analysis is followed by a discussion of the eff ects of streaming software and services on collection methods such as stream-ripping, screen capture (image or video), and research collaborations with the producers and distributors of born-digital content.

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