This article unites recent writing in extinction studies with work in political ecology, justice theory and museum studies to explore qualitative, cultural approaches to extinction. I examine the role of storytelling and the power of narratives in addressing nonhuman extinction. Analysing the case study of a permanent gallery on extinction, evolution and biodiversity loss – the Survival Gallery of the National Museum of Scotland – I utilise a more-than-textual approach to narrative analysis. This paper explores the diverse ways in which the gallery relates stories of ‘natural’ extinction to the contemporary anthropogenic ‘Sixth Mass Extinction’. The Survival Gallery narrates a remarkably complex compilation of extinction stories, but the gallery’s narrative avoids areas of conflict or controversy, obscures justice concerns and ultimately presents a problematic depiction of a universalised humanity. Using this analysis of museum extinction storytelling, the paper contributes to emerging conceptualisations of multispecies justice frameworks. The article explores the possibilities and challenges of museum storytelling in grappling with complicated pasts and envisioning potential futures of survival, coexistence and flourishing. The paper concludes by considering how a multispecies justice approach to narrating extinction (and other entangled ecological-social phenomena) might flourish within and beyond museums.

This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited. The information, practices and views in this article are those of the author(s) and do not necessarily reflect the opinion of the Royal Geographical Society (with IBG).

Fieldwork remains a cornerstone of geographical research. Echoing longstanding critiques, this brief intervention envisions a future of geographical thought and praxis where fieldwork is critically interrogated rather than assumed. Approaching the field as a spatial-analytical category, we point to the creative ways that geographers have engaged and connected with their varied fields of research. Through examining recent geographical works that question the presumed locations of the field, experiment with various creative methods, and bridge pedagogy-practice divides, this intervention asks where and how the future fields of fieldwork might be located, practiced, and extended.

Eastern North Pacific gray whales are famed for their remarkable ecological history: from near extinction to recovery and from ‘devil-fish’ to ‘friendly whale’. This article critically examines the origins and development of the narrative framing of gray whales’ history as one in which the whales were long known as ‘devil-fish’, until they became ‘friendly whales’ in the 1970s. Drawing on archival sources from the mid-nineteenth through the mid-twentieth centuries, this article interrupts the premise of a smooth and linear transition from devil-fish to friendly whale. Instead, gray whale histories reveal much more complex and even contradictory human–whale encounters along the California coast. Throughout the time period examined, precursors of the familiar contemporary narrative of gray whale history emerged, each building on prior remembrances of gray whale pasts. More broadly, this article contributes to contemporary conversations in more-than-human historical studies about nonhuman agency, multispecies encounters, memory, and environmental histories of emotion.

A short blog outlining new arguments around fieldwork in Geography.