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This article argues that Orange Is the New Black ( OITNB) uses postfeminist strategies to covertly promote prison reform and exercise a subtle critique of (female) mass incarceration while remaining constrained by the limitations of a postfeminist sensibility. Despite its contradictory and uneven agenda, OITNB should be seen as an important ally in the process of raising awareness about media (mis)representations of female prisoners, not least because of the program’s own self-reflexive commentary on tropes of the women in prison genre. The article calls for a tactical alliance between academic examinations of female imprisonment and critical sensibilities in popular culture to further more fundamental critiques of women’s incarceration, and its concomitant cost to individuals, families, and society.

A n n e S c h w a n The aims of this special issue on 'Reading and Writing in Prison' are twofold: to insist on the cultural significance of paying serious critical attention to the genre of prison writing beyond canonical authors (such as Oscar Wilde) and to showcase reading and writing in prison as a space for radical pedagogy and social transformation -potential transformation not only for those 'inside' but also those going into prisons as facilitators, be they creative practitioners, academics, or university students.Prison (auto)biography, and reading and writing in prison more broadly speaking, are burgeoning areas of research that lend themselves to fruitful conversations across disciplinary boundaries.

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