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Stephanie Meyer’s enormously popular Twilight saga of teen vampire romance novels is commonly referred to as the young adult fiction equivalent of what the Harry Potter series was for children. Central to the series, which sells in the tens of millions globally, is an adolescent romantic relationship that, as I will show, is in many ways masochistic. Interrogating gendered subjectivity within the series, particularly in regard to its teenage narrator, Bella Swan, and her relationship with the hyper-idealized vampire hero, Edward Cullen, this article analyses the way the four narratives figure adolescent feminine desire as well as how they link eroticism and death. It also positions the series within broader feminist debates about postfeminism within popular culture, and explores how (and, with more difficulty, why) a masochistic relationship and an undead subjectivity for a teenage girl are seen as utopic sites of possibility in these narratives. If, as Nina Auerbach argues, each age produces the vampire it requires, then might Edward Cullen and his teen vampire bride suggest about the current, purportedly ‘postfeminist’, context and young women in particular?