The deterioration of art objects is normally relatively minor, controllable and attributable to environmental changes or bacterial invasion, and until now there has not been any recorded attempt to analyse an artwork that has been deliberately and significantly destroyed. The analytical problems are correspondingly larger but the potential reward from any information that can be forthcoming is thereby proportionately greater. The 17th Century Palomino frescoes on the vaulted ceiling of the Church of Sant Joan del Mercat in Valencia were largely destroyed by insurgents in the Spanish Civil War in 1936. The ensuing gunfire and a series of seven conflagrations inside the church had a devastating effect upon the artwork, and the surviving areas were also rendered unstable with respect to their detachment from the substrate. During the current restoration project being undertaken on these frescoes, an opportunity was provided for the application of several analytical techniques to secure information about the original pigment palette employed, the technology of application used by Palomino and the changes consequent upon the destruction process. Here, we report for the first time the use of analytical Raman spectroscopy, supported by scanning electron microscopy (SEM) and voltammetry of microparticles, for the combined identification of pigments, binders, substrate treatments and pigment alteration in an important, although badly damaged, wall painting for the informing of the ongoing conservation and restoration strategy.

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An in-depth chemical-analytical study has been performed on biscuit and mortar from 17th-18th century tiles from a mediaeval hermitage in the province of Valencia (Spain). Representative samples were chosen from the tile fragments available, using appearance, essentially color and consistency, as the criterion. The chemical composition was analyzed by X-ray fluorescence of the samples in the form of glass disks after a previous qualitative study to choose the standard materials for calibration and the experimental conditions used in the analysis. X-ray diffraction of the samples provided information about the mineralogical composition which was consistent with the firing of the original materials; it also gave information about the range of temperatures used in the firing. From thermal gravimetric analysis of the limestone, and from historical considerations, it was possible to deduce the raw materials used and their approximate composition in the tiles. In the same way it was possible to determine the nature of the mortars used to fix the tiles. Cyclic voltammetric study of the iron(II) and iron(III) system in the biscuit showed the simultaneous presence of both oxidation states, corroborating the results.

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