No abstract

Kasepuhan Ciptagelar indigenous community are a group of people who live within the Halimun-Salak Mountain National Park. The area is a conservation forest that has an important role in supporting global climate balance, especially in Java. This research focuses on developing the field of science that can represent the role of Yoyo Yogasmana as a contemporary artist who living in Kasepuhan Ciptagelar. The methodology used in this study is field research that describes the conditions and phenomena encountered by researchers during observation in the field. The data obtained is the result of observation, interviews with sources and physical data collection in the form of artifacts that can be documented in the field. Yoyo Yogasmana is a contemporary artist who is not from the Kasepuhan Ciptagelar indigenous community, but his role as a spokesperson for indigenous community with the outside world provide a new understanding of the life of indigenous peoples today. This research produces a documentary film that can be a new understanding related to the wisdom of local culture as the basis of noble values that are still held in high esteem. This makes Kasepuhan Ciptagelar have an adaptive mechanism to withstand the pressures of changing times.

Fotografi <em>pre-wedding</em> merupakan salah satu bagian dari suatu rangkaian kegiatan sebelum memasuki tahap pernikahan. Untuk saat ini fotografi <em>Pre-wedding</em> sudah sangat populer untuk mendukung moment sebelum hari pernikahan. Baru-baru ini muncul suatu konsep fotografi dengan menggabungkan antara fotografi <em>pre-wedding</em> dengan street fotografi yang mungkin akan menjadi salah satu inovasi terbaru untuk dunia fotografi <em>pre-wedding</em>. Fotografi <em>pre-wedding</em> konsep street fotografi pada dasarnya adalah sebuah kegiatan sehari-hari dari pasangan tersebut yang sengaja  didokumentasikan dalam bentuk foto, untuk mempertahankan definisi dari street fotografi itu sendiri maka tetap mempertahankan sebuah realitas yang ada tetapi dengan subjek diatur untuk melakukan pose oleh seorang fotografer.

The myth is one of visual element symbol that textually or conceptually unknown by the society. This article aimed to discuss the meanings of elements through their symbols and concepts and myths. The object of this research is Garuda Pancasila as the Indonesian Country's Symbol. This research went through qualitative study with an analytic descriptive method, with semiotic study approach. A result of this research explained that icons on Indonesian Country's Symbol of Garuda Pancasila have diversities elements on its concepts. This result is based on Indonesian's cosmology myth that explained trees, animals, metals are undivided parts in society's life. Those icons bring vision and mission of The Unitary State of Republic Indonesian (NKRI) to delivered Pancasila as National principle.

No abstract