Wearable computing and smart clothing have attracted a lot of attention in the last years. For a variety of applications, it can be seen as potential future direction of mobile user interfaces. In this paper, we concentrate on usability and applicability issues concerned with capacitive touch input on clothing. To be able to perform user studies, we built a generic platform for attaching, e.g., capacitive sensors of different types. On top of that, several prototypes of wearable accessories and clothing and implemented various application scenarios. We report on two studies we undertook with these implementations with a user group randomly sampled at a shopping mall. We provide a significant set of guidelines and lessons learned that emerged from our experiences and those studies. Thus, developers of similar projects have to put major efforts into minimizing the delay between button activation and feedback and to make location and identification of controls and their function as simple and quick as possible. Issues that have to be treated in all designs include the requirement of onehanded interaction and that, even for minimal functionality, to find a general solution with regard to layout and button-tofunction mapping is hardly possible. Additionally, in order to generate a satisfactory user experience good usability must be combined with aesthetical factors.

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Mobile phones with integrated video cameras have become ubiquitous tools that people use both to document everyday surroundings and to express themselves artistically. In this paper we report the findings of a user study on user created mobile videos, where the actions of 11 active mobile video users were documented for 2 weeks, the collected material including diaries, device logs, and altogether 255 videos. We describe the patterns related to the creation, sharing and consuming mobile videos, revealing characteristics of both context and content of the video material.

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Abstract. Today's mobile phones are also video cameras. People are using these ubiquitous cameras to document everyday surroundings as well as create more artistic videos. This paper examines emergent mobile film making patterns by tracking video composition and recording activities in ecologically valid contexts of use. We report the findings of a user study on user created mobile videos, where the actions of 11 active mobile video users were documented for 2 weeks. The collected material included diaries, device logs, and altogether 255 videos. Our findings characterize the features of a typical mobile video. Additionally, our study uncovers common practices, user motivations and pitfalls during filming and editing in the mobile context.