Every human being, in addition to having his or her own personal identity, has a sense of who he or she is, in relation to the larger society. It seems that after independence is achieved by African states, one main question arises: What is the new society, culture, and identity? Africans are faced with cultural clash owing to the fact that they have been too much exposed to the colonizer's (European's) way of life. The identity of most Africans is gradually eroded as there is a proliferation of Westernization. This content analysis design paper, employing Jomo Kenyatta's short story, "The Gentlemen of the Jungle", as the main data, has examined the main theme, post-colonialism, from four sub-perspectives. These perspectives are: alienation and exclusion, retributive justice, the colonizer's language as a tool of dominance, and double standard and abuse of power. The significance of this paper is to facilitate the shaping of new identities in African communities after the obliterating of colonialism and European imperialism. The essay is structured into four main parts: introduction, the method, the themes, and the conclusion.
Abstract-TheThe participants who provided the primary data were drawn from students of two prominent private universities in Kumasi, Ghana (Christian Service and Ghana Baptist University Colleges). The study brought to light that the participants have challenges constructing theses in their essays. It is therefore recommended that the players in the field of Second Language teaching and learning -teachers, learners, textbook writers, and policy makers -should give maximum attention to this issue whenever the subject matter -essay writing -is being taught, learnt or mentioned.
There is an underlying cultural dimension in modern tragedy, in that the tragic hero differs from culture to culture in modern society. In the light of this, it is appropriate to point out that whereas the modern tragic hero in the Western culture is an anti-hero as portrayed in "The tragic hero of the modern period-The European Concept", in cultures such as, in Asia and Africa, the tragic hero still maintains some traits of the Greek heroic figure. This paper therefore fulfils an identified need to study the concept of this period's tragedy and shows the appendages of the traits of the Greek Classical tragic hero in the modern period of the African concept. The study provides extracts from Achebe's Things fall Apart as the main text, Achebe's Morning Yet on Creation Day, Achebe's Arrow of God and Rotimi's Kurunmi as supporting texts to present the African concept of the tragic hero.
Conflict, a general phenomenon, exists in everyday life. It has different intrapersonal aspects (thus conflict within a person). There is also a kind of conflict that exists between two people or two groups of people. This is interpersonal conflict. It can be between a person and technology or between ideas. Conflict has been defined as a disagreement or clash between people, ideas, or cultures. Therefore, culture becomes a unique and sentimental phenomenon that is not only cherished but also protected dearly by individuals as well. Thus, literature has become one of the means through which cultural sentiments are projected and expressed. For a long time, Africans have been subjected to cultural imposition and displacement of Western culture. This paper aims to examine the theory that considers the superiority of westernization. This study adopts the sociological theory by focusing on Soyinka's Death and the King’s Horseman and Ama Ata Aidoo’s Dilemma of Ghost. Our decision to select these two texts is informed by the several instances of conflict portrayed in the two texts. The discussion focused on societal norms and belief systems, psychological and generational gap conflicts.
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