Dating apps are an increasingly common element of modern dating, yet little research describes users’ experiences rejecting potential partners through these apps. This study examines how female Bumble users reject potential partners online in relation to self-disclosure, perceived partner disclosure, pre-rejection stress, and app usage. To investigate these issues, we conducted an online survey of 419 female Bumble users who had recently rejected someone through the app. Results revealed that women on Bumble employ ghosting strategies far more often than confrontational rejection and suggest that the degree to which women self-disclose, perceive a partner’s self-disclosure, and experience pre-rejection stress may impact their rejection strategies. This study informs the hyperpersonal model by demonstrating that reciprocal disclosure may characterize online dating interactions—even in relationships that fail to reach the face-to-face stage. However, results also broach the possibility of communication burnout in online dating, in which some users may lessen self-disclosure after extensive app usage.

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When new technologies emerge, they inevitably bring to mind many of the same questions that media scholars have been asking for decades. In this study, we will analyse Apple AirPods through a theoretical framework based in the writings of media ecologists like Harold Innis, Marshall McLuhan and Neil Postman, as well as media theorist Theodor W. Adorno. Adorno is included here because very few articles in media ecology scholarship discuss his contributions to media research. The exclusion of Adorno from media ecology appears to relate to his different ontological assumptions about media. While Innis, McLuhan and Postman contribute to the ‘structures and patterns narrative’ of medium theory, Adorno clearly fits into the ‘power and resistance narrative’ of critical/cultural studies. However, there are more significant connections between Adorno and the field of media ecology than have been previously acknowledged. In particular, there is a confluence between Adorno’s writings and others by media ecology scholars like Postman and Lewis Mumford, particularly in Adorno’s arguments about technology and music. In this article, we consider the question: can Adorno’s writings on technology be considered appropriate for inclusion in the media ecology canon? In this article, we will explore representative essays from Adorno’s extensive body of work on music reproduction technologies and discuss the parallels between his arguments and those made by others in media ecology.

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