Ontology is the philosophical study of the nature of being, becoming, existence, and relation. This paper presents an ontology of the Sq’éwlets Virtual Museum of Canada Website Project, a project that has focused on creating a digital community biography of the Sq’éwlets First Nation ( www.digitalsqewlets.ca ). Based on several decades of community archaeology and the recent production of short video documentaries, the website presents a long-term perspective of what it means to be a Sq’éwlets person and community member today. We explore how this project came to focus on the nature of being Sq’éwlets; how community members conceived the nature, structure, and nomenclature of the website; and how this Sq’éwlets being-ness is translated for outside audiences. We suggest what lessons this approach has for anthropological conventions of naming and knowing as they relate to Indigenous histories, and consider how archaeological knowledge can be transformed into a digital platform within a community-based process.

"Virtual Sama" is an interactive multimedia installation that connects computationally abstracted ethnographic documentation of a Sufi Dhikr ritual with viewers through an artistic artificial intelligence (AI) abstraction process and interactive rhythmic full body movement. In this paper, we describe how the installation is designed to elicit reflection on the implications of transforming intangible heritage into digital heritage through digital documentation and storage, and to encourage exploration of questions around privacy and safeguarding of sensitive cultural practices. Against the context of detailed fieldwork with Uyghur Sufi practitioners in Xinjiang, China, we explore how AI processes and embodied interaction might be mobilised to present alternative representations of anonymity, while drawing attention to the complexities of representation, access and transmission of intangible cultural practices in the digital age.

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