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In the ninth fragment of his posthumous work Living Up to Death, Paul Ricoeur reflects on Jacques Derrida’s final interview given to the French newspaper Le Monde just months prior to his death. Although he confesses to a genuine distanciation from Derrida regarding salient aspects of their individual memento mori, he does so within the context of significant concessions of agreement. I argue in this article that their differing positions de facto agree at a critical structural level with reference to the possibility of positing something akin to a textual immortality. Both contend that traces of the author remain in the corpus of a work, a remainder that allows for a form of resurrection through reading. By analogizing their perspectives with Rudolf Bultmann’s kerygmatic resurrection of Christ in the proclaimed word, I conclude that Ricoeur and Derrida contend that one truly learns to live up to death ‘ finally’, that is, enfin — ‘at last’, ‘after all’, or one might say, ‘ in a word’.

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