A legparányibb tárgy, ha kitartóan szemléljük, elkülönít és megsokszoroz bennünket. Sok tárgy előtt magányát érzi az álmodó lény. Egyetlen előtt sokszoros voltát az álmodó alany." (BACHELARD 1977:648. 4 A tanulmány elkészítéséhez Megyeri Gábor Ma formatervező művész (PhD-hallgató Budapesti Corvinus Egyetem), dizájn koncepcióját vettük alapul. 5 The study is based on a concept design from Megyeri Gábor Ma product designer (PhD Student of Corvinus University of Budapest).
A 2020-ban világméretűvé terebélyesedett koronavírus-járvány a világ nemzeteinek mindennapi életét meghatározó jelenséggé vált. Tanulmányunkban egy olyan terméket – karkötőt – alkottunk meg teoretikusan, amely két meghatározó turisztikai szegmens, a konferencia- és az ifjúsági turizmus, valamint azok résztvevőinek szemszögéből mutatja be az egészségbiztonság és az érintésmentesség fontosságát a jövőbeli utazások során. Az új termék ötletéhez a B-bridge emléktárgy tervezői koncepcióját vettük alapul, ami egy olyan eszköz, ami aktív és inaktív állapotban is segítheti a turistákat. Aktív állapotában turisztikai szolgáltatásokat vehet igénybe a Budapestre érkező turista a terméken keresztül, míg inaktív állapotában emléktárgyként szolgál az utazási emlékek előhívására. Jelen kutatásunk eredménye a 3S (Safe, Secure és Smart szavak kezdőbetűiből álló) koncepció, ami a designkommunikáció módszerén alapul, és ami a poszt-Covid19 érában a turisták egészségbiztonságát helyezi előtérbe. A 3S koncepció kulcsfontosságú szerepet játszik a jövő utazásai során, mivel az utazók Budapesthez fűződő bizalmát erősíti.
Health security measures have become increasingly important in tourism, as there is a heightened need to rebuild the trust of tourists in destinations and tourism services. Innovative product development might help respond to the emerging health-related needs of tourists. We address the lack of the application of Designcommunication (DIS:CO)-based approaches in the field of tourism, present a process for the theoretical development of a smart device, and explore its applications. Combining the results of the qualitative inquiry and applying DIS:CO in research and development, the concept of 4S—traveling Safe, Secure, Smart, and Sustainable—emerges in a socio-cultural and economic context, supporting the foundation of the material realisation of the product. As a result, the 4S concept presents how customised, continual feedback on the health condition of the user before and during a trip, and notifications about possible health risks in different tourist areas, might facilitate the process of trust-building. Although data on unconventional tourists is not included in tourism statistics, the designed product can assist in gathering information about them, too. With the permission of users, the built-in functions of the designed product can be used to detect their position and direction of movement. The product also helps monitor the health of tourists by providing up-to-date data on infection levels to tourism service providers. In its passive mode, as a souvenir, the device strengthens travel desire.
A logo is worth more than a thousand words. But how much are thousands of logos worth? Contemporary visual communication toolkit of companies and brands is becoming more and more technology-driven and extended by Dynamic Visual Identity (DVI) systems. Algorithmic, data-based, interactive DVIs promise unprecedented opportunities to brands and pose new challenges for designers and marketers. This paper explores the characteristics of generative type digital dynamic visual identities with the aim of stimulating interdisciplinary discourse and scientific examination at this frontier of marketing and design. The current study applied qualitative inquiry to a curated sample of contemporary visual systems designed after 2013. By using content analysis and the designcommunication (DIS:CO) approach the authors identified three dimensions that are suitable for the examination, and development of DVI cases regardless of the industry, technology and media used. Explanations are illustrated by the award-winning DVIs of world-renowned agencies such as Pentagram, Saffron, and Lava.
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