This paper reports on new approaches to the analysis of poetic occasionalisms, i.e. of words created by an author for a specific place in a literary text, and exemplifies them with the occasionalisms found in three comedies by Johann Nepomuk Nestroy, the greatest Austrian comedy writer and creator of new words in the 19th century. Corpuslinguistic search in Nestroy's complete works and in large German electronic corpora enables better decisions with regard to whether an unfamiliar word was really an occasionalism. Comparison with Nestroy's French models (never done so far) shows that these occasionalisms are really Nestroy's original creations. Two new analyses of their relative audacity offer novel insights, which are corroborated by a first comparison between Nestroy's and a rival's occasionalisms. Next, the results of a cotextual and contextual analysis of occasionalisms are offered. Finally, for the first time it is studied to which actors the presentation of most occasionalisms was assigned in order to achieve optimal theatrical effects.

In diesem Beitrag wollen wir sprachliche Neubildungen (präziser: Okkasionalismen) als Elemente poetischer Kreativität bei Johann Nepomuk Nestroy und Peter Handke mit korpuslinguistischen Methoden in neuer Weise untersuchen und vergleichen, zeigen, was mit diesen zum ersten Mal möglich ist und damit auch der Literatur-und Theaterwissenschaft neue Möglichkeiten eröffnen.

No abstract

No abstract

No abstract