As the broadcast industry is evolving toward IT-based facilities, the production workflows and their associated production metadata should similarly take advantage of IT commodities. This paper presents a manufacturing system for the production of drama television and motion picture programmes, constructed using IT-based technologies in a file-based media environment. This drama production facility implements a production workflow based on common industrial manufacturing processes and extensively models the individual aspects of the drama production process. We aim to show that the different processes contained in this manufacturing workflow can be expressed in terms of elementary building blocks, the canonical processes of media production. By identifying recurring and canonical functionality, process implementations can be simplified and input and output from different processes can be coordinated for better integration with external systems.
A multitude of platforms with widely varying capabilities is available today for the consumption of broadcasted audiovisual content. Each class of media consumption devices should receive a product not only adapted to its capabilities, but also in a manner that fully conveys the cinematic narrative and hence provides true universal media experiences. This paper presents semantic adaptation processes that integrate with other drama media manufacturing processes and allow directors and other creative staff to naturally carry over cinematic decision making into the content adaptation domain, thereby using narrative story elements already available from other production processes. We discuss how the adaptation process interacts with other processes and what parameters influence the adaptations applied to audiovisual material, followed by an evaluation of our current implementation
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