Abstract. We study activity recognition using 104 hours of annotated data collected from a person living in an instrumented home. The home contained over 900 sensor inputs, including wired reed switches, current and water flow inputs, object and person motion detectors, and RFID tags. Our aim was to compare different sensor modalities on data that approached "real world" conditions, where the subject and annotator were unaffiliated with the authors. We found that 10 infra-red motion detectors outperformed the other sensors on many of the activities studied, especially those that were typically performed in the same location. However, several activities, in particular "eating" and "reading" were difficult to detect, and we lacked data to study many fine-grained activities. We characterize a number of issues important for designing activity detection systems that may not have been as evident in prior work when data was collected under more controlled conditions.

Subjective similarity between musical pieces and artists is an elusive concept, but one that must be pursued in support of applications to provide automatic organization of large music collections. In this paper, we examine both acoustic and subjective approaches for calculating similarity between artists, comparing their performance on a common database of 400 popular artists. Specifically, we evaluate acoustic techniques based on Mel-frequency cepstral coefficients and an intermediate 'anchor space' of genre classification, and subjective techniques which use data from The All Music Guide, from a survey, from playlists and personal collections, and from web-text mining.We find the following: (1) Acoustic-based measures can achieve agreement with ground truth data that is at least comparable to the internal agreement between different subjective sources. However, we observe significant differences between superficially similar distribution modeling and comparison techniques. (2) Subjective measures from diverse sources show reasonable agreement, with the measure derived from co-occurrence in personal music collections being the most reliable overall. (3) Our methodology for large-scale cross-site music similarity evaluations is practical and convenient, yielding directly comparable numbers for different approaches. In particular, we hope that our informationretrieval-based approach to scoring similarity measures, our paradigm of sharing common feature representations, and even our particular dataset of features for 400 artists, will be useful to other researchers.

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This study confirms that the median artery may persist in adult life in 2 different patterns, palmar and antebrachial, based on their vascular territory. The palmar type, which represents the embryonic pattern, is large, long and reaches the palm. The antebrachial type,which represents a partial regression of the embryonic artery is slender, short, and terminates before reaching the wrist. These 2 arterial patterns appear with a different incidence. The palmar pattern was studied in the whole sample (120 cadavers) and had an incidence of 20%, being more frequent in females than in males (1.3:1), occurring unilaterally more often than bilaterally (4:1) and slightly more frequently on the right than on the left (1.1:1). The antebrachial pattern was studied in only 79 cadavers and had an incidence of 76%, being more frequent in females than in males (1.6:1); it was commoner unilaterally than bilaterally (1.5:1) and was again slightly more prevalent on the right than on the left (1.2:1). The origin of the median artery was variable in both patterns. The palmar type most frequently arose from the caudal angle between the ulnar artery and its common interosseous trunk (59%). The antebrachial pattern most frequently originated from the anterior interosseous artery (55%). Other origins, for both patterns, were from the ulnar artery or from the common interosseous trunk. The median artery in the antebrachial pattern terminated in the upper third (74%) or in the distal third of the forearm (26%). However, the palmar pattern ended as the 1st, 2nd or 1st and 2nd common digital arteries (65%) or joined the superficial palmar arch (35%). The median artery passed either anterior (67%) or posterior (25%) to the anterior interosseous nerve. It pierced the median nerve in the upper third of the forearm in 41% of cases with the palmar pattern and in none of the antebrachial cases. In 1 case the artery pierced both the anterior interosseous and median nerves.

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