This article reanalyzes petroglyphs from the Red Bird River Shelter (15CY52), a small sandstone shelter in Kentucky. In 2009–2013, it was claimed that some of the carvings at the site represented the earliest known examples of Cherokee Syllabary writing, dating to the first two decades of the nineteenth century. It was also suggested that Sequoyah, the Cherokee artist and intellectual who invented the Cherokee Syllabary in the early nineteenth century, had made these petroglyph versions during a visit to see his white paternal family living in Kentucky. Our reanalysis categorically contests this interpretation. We do not see Cherokee Syllabary writing at Red Bird River Shelter. We do not believe that historical evidence supports the notion that Sequoyah had white relatives in Kentucky whom he visited there at the time required for him to have authored those petroglyphs. We also believe that this account misrepresents Sequoyah's Cherokee identity by tying him to white relatives for whom there is no historical warrant. We argue that the Red Bird River Shelter is a significant precontact petroglyph site with several panels of line-and-groove petroglyphs overlain by numerous examples of modern graffiti, but there is no Sequoyan Syllabary inscription there.

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Despite new arguments by Tankersley and Weeks that we misinterpreted petroglyph engravings and ignored site formation processes at the Red Bird River Shelter in Kentucky (15CY52), we remain convinced that there is no evidence for Cherokee Syllabary writing at the site. The petroglyphs are clearly not symbols present in any version of the Cherokee Syllabary. There is no empirical evidence for any site formation processes that have altered the shelter or its petroglyphs in the ways they suggest. There is still no evidence that Sequoyah ever spent any time in the vicinity of Red Bird River Shelter.