No abstract

B. Kollmann, Heilkunst im Buch Tobit 289 milieu should be looked at again. The poetical focus on the text proved the poet(s) to be a literary artist(s) of esteem. The individual poems are sophisticated unified poems. The collection äs a whole was also formed into a literary, unitary work. This coherence is confirmed by the word repetitions throughout the collection, corresponding syntax, a concentration of similar figures of speech, a main theme or atmosphere of trust (in Yahweh) throughout and a deliberate (non-rigid) chiastic structural synthesis overall. Developments in the better understanding of classical Hebrew poetry can in future, further refine the analysis of the text.The (original) literary unity of the ma a lot collection is confirmed by a network of word repetitions, corresponding constructions, similar figures of speech, a main theme of trust in Yahweh and a (non-rigid) chiastic synthesis overall. It was probably derived from post-exilic (Jerusalem) scribal circles and functioned in and outside the cult äs »book of confidence« (meditation book) in a disconsolated Situation.

No abstract

No abstract

No abstract