In 2018, over 70% of the 69,775 temporary migrant agricultural labourers arriving in Canada participated in the Seasonal Agricultural Workers Program (SAWP). Despite having legal status in Canada, these individuals are often systematically excluded from community life and face barriers when accessing health and social services. SAWP workers’ exclusion from many public spaces and their incomplete access to the benefits of Canadian citizenship or residency provide us a unique opportunity to examine social and political mechanisms that construct (in)eligibility for health and protection in society.  As individuals seeking to care for the sick and most marginalized, it is important for nurses to understand how migrant agricultural workers are positioned and imagined in society. We argue that the structural exclusion faced by this population can be uncovered by examining (1) border politics that inscribe inferior status onto migrant agricultural workers (2) nation-state borders that promote racialized surveillance and; (3) everyday normalization of exclusionary public service practices. We discuss how awareness of these contextual factors can be mobilized by nurses to work towards a more equitable health services approach for this population.

In Metro Vancouver, the recurrence of gang violence involving young South Asian men has spawned a series of public explanations about a new threat to public safety: the ‘Indo-Canadian gangster’. This article explicates the racial force of a specific exposé on the putatively ‘cultural’ origins of the Indo-Canadian gangster which identifies the domestic realm of the city’s South Asian populations as the principal cause of this gang violence. By tracking the trajectories of this exposé and other texts that take similar confessional forms, this article provides important insight into the differential capacity of texts to attract public attention and to persuade, by virtue of the narrative forms they assume as well as the semantic content of the knowledges they mobilize. On the one hand, this article documents the tropes of cultural inertia that characterize public knowledges of the ‘Indo-Canadian home’, which is configured as a domestic space that is culturally insulated from putatively Western norms of civility and legality. On the other hand, it explains how this exposé acquires its epistemic force from the confessional form of the knowledges it circulates, which acts as a mechanism of cultural interpellation for South Asian actors who are positioned to renounce and disavow the pathologies of Indo-Canadian culture.

Urban centers across Canada are partitioned by racial geographies that circumvent and circumscribe the movements of aboriginal bodies. This article examines how aboriginal youth experience and engage these racisms that organize Canadian social spaces. Drawing on ethnographic fieldwork undertaken at a drop-in recreational centre in the inner city of Edmonton, Alberta, it documents the different ways in which indigenous youth employ hip-hop as a means to contest their subjection to these immobilizing racisms. First, it shows how these youth employ hip-hop as a technology of self-transformation through which they recreate their selves as meaningful, efficacious political actors capable of disrupting their relegation to criminogenic places. Second, it documents how the practice of a distinctly indigenous hip-hop allows these youth to innovate an aesthetic space disruptive of the historicist racisms that otherwise subject aboriginality to anachronistic spaces. Finally, this article shows that, by performing a hybridized, distinctly indigenous breakdance, these practitioners of hiphop dramatize the physical and cultural motility of aboriginal bodies.