In the poem “ca’line’s prayer,” Lucille Clift on marks the progression of Black generational memory through the metaphor of drought. The poem’s 1969 publication coincided with one of the worst droughts in modern history. Across the West African Sahel late rains and the onset of famine led to widespread death and displacement. Starting from this conjunctural moment in the late 1960s and using Clifton’s provocation about the “Blackness” of drought, this article contemplates representations of arid environments in African and Afro-diasporic texts. I consider various imaginings of arid spaces, presented simultaneously as wasteland and homeland. Surveying critical scholarship on the Sahelian drought, I interrogate the contested meanings of Black life and death in deserts. I also consider the contemporary resonances of these themes, engaging African eco-critical and Afro/African futurists texts. I show how these portrayals of actual and imagined deserts reveal alternate modes of encounter forged through Black/African ecological thought.

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September 15, 2013, marked the 50 th anniversary of the 16 th Street Baptist Church bombing in Birmingham, Alabama, USA. The bombing remains one of the most infamous events in the history of white supremacist violence in the United States. While conventional accounts of the event and its aftermath often consider the legal restructuring of the US state following the passage of subsequent Civil Rights legislation, little has been written about the transnational significance of Birmingham in shaping the character of US power abroad. This article argues that memorialisation and cultural architecture of Birmingham represent a significant crucible forging a particular style of liberal empire. Tracing a cultural genealogy of Birmingham through the writings of former Secretary of State and National Security Advisor Condoleezza Rice and famed scholar-activist Angela Davis, I demonstrate how Birmingham, as a site of historic black struggle, has been remembered alongside the place-making of empire.