The current international attention devoted to contemporary Chinese-financed and constructed development in Africa has tended to obscure complex and multivalent histories of the relationships between the People’s Republic of China (PRC) and numerous African nations; and many of these histories date back decades. The ideological origins behind socialist China’s engagement with Africa, and the geopolitical dynamics that continue to propel them forward, trace back to the time of Chairman Mao Zedong, who first coined the term ‘intermediate zone’ in 1946 to position the vast expanse of contested territories and undecided loyalties existing between the ideological poles of the Soviet Union and the United States after World War II. Nine years later (1955), at the first Non-Aligned Movement conference held in Bandung, Indonesia, Chinese Premier Zhou Enlai declared thatever since modern times most of the countries of Asia and Africa in varying degrees have been subjected to colonial plunder and oppression, and have thus been forced to remain in a stagnant state of poverty and backwardness […]. We need to develop our countries independently with no outside interference and in accordance with the will of the people.
The rural has long occupied a valuable, if under‐theorised position in modern architectural history. Here, Cole Roskam, Assistant Professor of Architectural History at the University of Hong Kong, highlights key moments in this history and, in doing so, illuminates a central paradox at the heart of architecture's various turns to the countryside; namely, can architects maintain the physical and social integrity of the rural when they are themselves a fundamental vector of its changing character?
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