Exposure to stressful life events involving threat and uncertainty often results in the development of anxiety. However, the factors that confer risk and resilience for anxiety following real world stress at a computational level remain unclear. We identified core components of uncertainty aversion moderating response to stress posed by the COVID-19 pandemic derived from computational modelling of decision making. Using both cross-sectional and longitudinal analyses, we investigated both immediate effects at the onset of the stressor, as well as medium-term changes in response to persistent stress. 479 subjects based in the United States completed a decision-making task measuring risk aversion, loss aversion, and ambiguity aversion in the early stages of the pandemic (March 2020). Self-report measures targeting threat perception, anxiety, and avoidant behavior in response to the pandemic were collected at the same time point and 8 weeks later (May 2020). Cross-sectional analyses indicated that higher risk aversion predicted higher perceived threat from the pandemic, and ambiguity aversion for guaranteed gains predicted perceived threat and pandemic-related anxiety. In longitudinal analyses, ambiguity aversion for guaranteed gains predicted greater increases in perceived infection likelihood. Together, these results suggest that individuals who have a low-level aversion towards uncertainty show stronger negative reactions to both the onset and persistence of real-life stress.

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Screendance finds its roots in the traditions of concert dance, museum culture, and film festivals. Film festivals -from which we borrow the structure for programming screendance -boast a history of discrimination towards bodies of color, varied gender expressions, bodies of different abilities, and more. Through an exploration of the history and socio-cultural context of film festivals in the west and dialogue with curators and directors from a handful of screendance festivals across the United States, this piece will present a set of curatorial challenges particular to our field, the creative solutions being explored by presenters and champions of screendance, and a consideration of where the field falls short, so we can better mitigate issues of underrepresentation of marginalized groups in screendance spaces.

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