The purpose of the paper is to expand the concept of energy justice by considering the struggles over coloniality and cultural identity in the Global South and their interactions with the spatial and historical development of energy systems and the ongoing forms of energy transitions. The article argues that the current conceptualizations of energy justice cannot be separated from the politics of incumbency as, without a decolonial critique, they tend to reproduce rather than transform hegemonic power relations. To be transformative, energy justice must be articulated from the politics of actually existing unsustainability. In other words, the starting position for energy justice must be that energy injustices are already embedded in existing energy systems and energy policies. Drawing on Latin-American decolonial thought, and the work of political ecologists around energy, this article advocates looking beyond a universalized conception of justice towards an approach where justice is based on a sense of place and is informed by the community’s relationship with the land. Using the concept of energy landscapes, the article puts forth an alternative way of understanding energy systems and conceptualizations of justice in decolonial settings.

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This interview deals with Arturo Escobar’s recent work on Pluriversal Politics and the Pluriversal transitions. The discussion is divided into three main themes: the first section addresses Escobar’s reflections on the contemporary civilizational crisis and the politics of the pluriverse; the second section engages with the contents of the Theme Issue, particularly those aspects of the transition that include radical relationality, the transition strategies, ontological and pluriversal struggles, and the notion of terricide. The final section reflects on Escobar’s work on development and its implications for the future. The conversation has been edited to fit the guidelines for publication of this journal and supported with the most recent work, both published and unpublished by Arturo Escobar.

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