ABSTRACT:Highly accurate documentation and 3D reconstructions are fundamental for analyses and further interpretations in archaeology. In the last years the integrated digital survey (ground-based survey methods and UAV photogrammetry) has confirmed its main role in the documentation and comprehension of excavation contexts, thanks to instrumental and methodological development concerning the on site data acquisition. The specific aim of the project, reported in this paper and realized by the Laboratory of Photogrammetry of the IUAV University of Venice, is to check different acquisition systems and their effectiveness test, considering each methodology individually or integrated. This research focuses on the awareness that the integration of different survey's methodologies can as a matter of fact increase the representative efficacy of the final representations; these are based on a wider and verified set of georeferenced metric data. Particularly the methods' integration allows reducing or neutralizing issues related to composite and complex objects' survey, since the most appropriate tools and techniques can be chosen considering the characteristics of each part of an archaeological site (i.e. urban structures, architectural monuments, small findings). This paper describes the experience in several sites of the municipality of Sepino (Molise, Italy), where the 3d digital acquisition of cities and structure of monuments, sometimes hard to reach, was realized using active and passive techniques (rage-based and image based methods). This acquisition was planned in order to obtain not only the basic support for interpretation analysis, but also to achieve models of the actual state of conservation of the site on which some reconstructive hypotheses can be based on. Laser scanning data were merged with Structure from Motion techniques' clouds into the same reference system, given by a topographical and GPS survey. These 3d models are not only the final results of the metric survey, but also the starting point for the whole reconstruction of the city and its urban context, from the research point of view. This reconstruction process will concern even some areas that have not yet been excavated, where the application of procedural modelling can offer an important support to the reconstructive hypothesis.* Corresponding author. This is useful to know for communication with the appropriate person in cases with more than one author.

The work presented here focuses on the analysis of the potential of spherical images acquired with specific cameras for documentation and three-dimensional reconstruction of Cultural Heritage. Nowadays, thanks to the introduction of cameras able to generate panoramic images automatically, without the requirement of a stitching software to join together different photos, spherical images allow the documentation of spaces in an extremely fast and efficient way.<br> In this particular case, the Nikon Key Mission 360 spherical camera was tested on the Tolentini’s cloister, which used to be part of the convent of the close church and now location of the Iuav University of Venice. The aim of the research is based on testing the acquisition of spherical images with the KM360 and comparing the obtained photogrammetric models with data acquired from a laser scanning survey in order to test the metric accuracy and the level of detail achievable with this particular camera.<br> This work is part of a wider research project that the Photogrammetry Laboratory of the Iuav University of Venice has been dealing with in the last few months; the final aim of this research project will be not only the comparison between 3D models obtained from spherical images and laser scanning survey’s techniques, but also the examination of their reliability and accuracy with respect to the previous methods of generating spherical panoramas. At the end of the research work, we would like to obtain an operational procedure for spherical cameras applied to metric survey and documentation of Cultural Heritage.

ABSTRACT:The aim of this research is to study the wooden structure of the dome of SS. Giovanni e Paolo in Venice. The main purpose of this work is to analyse the shape and the geometrical and spatial knowledge of a very articulated structure that was very common in the Venetian architectural tradition of the XIV and XV century. Because of its complexity, a laser scanning survey, with the support of more traditional methods, such as direct and topographic survey, seemed to be the best way to analyse this type of structure and to obtain the information directly in a 3D environment. It was decided to use this technique given the features of the space: the reduced visibility, due to the absence of lighting, a very small planking level and a high number of wooden elements with irregular shapes make this structure fascinating and complex and the same time. The laser scanning survey allowed a quick and accurate data acquisition; from the elaboration of the data it was possible to create a 3D model of each individual element in the environment, without applying a simplification of shape and spatial geometry. The result of this research is not only the creation of a 3D model of a wooden dome, studying its formal and spatial complexity, but also the identification of an operational workflow that can be applied in surveys of complex wooden structures. This paper analyses the difficulties encountered during the survey process, and it illustrates the solutions chosen to overcome them.

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In this paper we would like to present an operational procedure for surveys of complex structures, such as the wooden dome of SS. Giovanni e Paolo in Venice. The aim of this work was to analyse the shape and the geometry of this very articulated constructive technique: because of its complexity, a laser scanning survey, with the support of more traditional methods, such as direct and topographic survey, seemed to be the best way to analyse this structure: from the data elaboration it was possible to create a 3D model of each element as in reality, without any simplification. In line with the growing demand of digital documentation in the field of Cultural Heritage, the 3D technology applied to this research allowed an immediate reading of the whole architectural system. This paper analyses the difficulties encountered during the survey and illustrates the solutions chosen to overcome them.