English Medium Instruction (EMI) is a growing educational praxis in the world. Sri Lanka also practises EMI in primary, secondary and university education contexts. Nevertheless, EMI is not adequately researched: the existing scholarship alludes to the significance of its context-dependency (e.g., Snchez-Prez, Maria del Mar 2020). Moreover, there is a lacuna of scholarly knowledge of how EMI works in Sri Lankan educational contexts. Hence, this exploratory study examined lecturers’ practices of, and insights into, EMI within the context of Sri Lankan higher education. The data were drawn from in-depth qualitative interviews with ten lecturers who teach Social Sciences through EMI at three state universities in the country. Interviewees – encompassing males and females and belonging to varying age groups – have a range of EMI teaching experience and different professional and educational qualifications. Qualitative thematic analysis was utilised to uncover themes related to EMI in the data. Findings disclose a few issues and problems associated with EMI. They underscore the belief that EMI enhances L2 (Second Language) proficiency, thus creating a space for job opportunities for undergraduates, and higher education and professional development for both lecturers and students.  Nevertheless, EMI is problematic mainly due to (i) low L2 proficiency in both lecturers and students, (ii) lecturers’ inconsistent praxis in assessing and teaching students, (iii) the shortage of training programmes on EMI, and (iv) arbitrary administration issues including the recruitment of EMI lecturers. The paper provides insights into EMI implementation in English as L2 contexts and adds new vocabulary to EMI praxis and research.

Defined as ‘networks of learning relationships among students and significant others’, peer assisted learning takes a bewildering array of forms in higher education. A useful way to conceptualise these is to draw from ideas of communities of practice and communicative rationality, with the degree of student autonomy a third key element. We illustrate this approach with a study of Kuppi, an example of peer assisted learning initiated and organised entirely by students. We interviewed undergraduate participants from six state universities in Sri Lanka and found strong support for this model of peer assisted learning from student learners and student tutors. These classes are characterised by informality and discussion, flexibility in timing and location and a focus on assessments. Students determine the content and who teaches, whilst tutors give their time without payment, out of fraternity and to improve their own learning and skills. The theory of communicative rationality helped explain much of the attraction of this form of peer assisted learning. There was evidence for a strong community of practice; however apart from peer tutors aspiring to become academics, this involved mostly reinforcement of student identity rather than transformation into emerging roles. The high levels of engagement and student autonomy shown by Kuppi challenge suggestions that peer assisted learning must be organised by tutors if it is to be effective.

This article explores the ways in which Anglophone dramas in postcolonial South Africa became a tool of political and protest theater. It examines the emergence of Anglophone theater, explores its development into political praxis and discusses the performance or non-performance contexts, as well as their specific socio-political milieux, with reference to the select plays from South Africa. These plays are compelling as they characterize specific tensions internal to South Africa, while alluding to colonial legacies and global coercion. Historicization is a crucial phase in this study and the key part of the methodology that establishes their political and aesthetic significance, both at the time of performance and after. The central argument of the article is that Anglophone theater of South Africa is subjected to and bound bysocio-political and cultural dynamics of the country; the emergence of political and protest theater is often caused by subtle or overt subterfuges of biopolitics exercised internally within this postcolonial territory.

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