In August 2010, during a programmer training at the Homo Alibi theatre festival in Riga, where I participated together with another 10 young programmers, my opinion that art is not always and without discrimination a suitable object for educational programs raised a big issue with passionate discussions and disagreements.

The three curators of the eMobiLArt project developed collaboration within the curatorial group and with other people involved including participating artists and organizers. This article is focused on how the various tasks evolved during the project process. A reflection on the outcomes (artworks and exhibitions) and the role of curators in such a collaborative experimental project is also included.