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This article discusses the manner in which Ficino employs the figure of Pythagoras and various aspects of the Pythagorean tradition in the philosophical areas of psychology, moral philosophy, and ontology. It also argues that the figure of Pythagoras as prophet was particularly appealing to a Ficino situated in the cultural environment of late fifteenth-century Florence. Text, culture, and ideology interacted in a complex way: spurred on by his early appreciation of Iamblichus's soteriological presentation of Pythagoras, Ficino helped create an ideology in Florence which was receptive to a prophetic figure. The piece thus suggests that Ficino viewed a certain segment of the history of thought through late ancient, Iamblichean eyes.

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