No abstract

No abstract

Chapter 5 builds upon the foundation established in Chapter 4 by examining a particular approach to literature, Postmodernism, and describing how the postmodern literature that emerged in the 1980s and 1990s in Japan, indebted to postmodern baseball fiction in the United States, exemplifies the continuing appeal of baseball as a literary subject and of baseball’s capacity to adapt to cultural shifts. The chapter provides analyses of four baseball-themed works including fiction by the well-know postmodern novelists Murakami Haruki and Takahashi Genichirō, and more recent works by Nagao Seio and Enjō Tō, to demonstrate the possibilities that baseball fiction offers for avant-garde literary experimentation, possibilities exploited in American literature by writers from Philip Roth to Bernard Malamud. This chapter also charts how, ironically, Nagao Seio in his novel Shiki and Sōseki’s Big Game, achieves a remarkable pastiche in which one of the protagonists is none other than Masaoka Shiki with whom this survey of cultural representations of baseball in Japan begins.

No abstract

In the summer of 2015, 41 years old and several years removed from a professional career as a baseball player in which he had achieved success on the most celebrated teams in both the United States and Japan, Matsui Hideki found himself again on the baseball diamond in a tightly contested championship game. Matsui was leading his own team in the Nippon Club’s fortieth annual President Cup Baseball Tournament, a tournament comprised of teams made up of bankers, engineers, and accountants of various ages and skill levels from Japanese businesses in the New York metropolitan area such as Kajima, Syscom, SMBC, and Mizuho. Matsui was feeling that same old itch to deliver in the clutch....