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This paper argues that state‐sponsored memorialisation is a critical enterprise in creating and maintaining a national cultural identity that softens or erases the ongoing process of death‐making and dispossession wrought by settlers on the land and Indigenous peoples. Drawing on the work of Toronto‐based Cree scholar Karyn Recollet, I further argue that this death‐making is not a given. Indigenous peoples assert their presence and relationships to the Humber River and its adjacent lifeforces alongside and in opposition to official memorialising projects. The 20th anniversary of the Humber River’s designation as a Canada Heritage River in 2019, the first in the era of the Truth and Reconciliation Commission of Canada’s Calls to Action, begs the question as to the role memorial and commemoration ceremonies play in the coalescence of a particular settler colonial story/myth that stabilises geographies as “memorial spaces” while simultaneously narrating Indigenous peoples through erasure, assimilation, and as historical ghosts.

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Heating has been known to cure cancer for over 2000 years1, and recent studies have confirmed this in the treatment of basal cell carcinomas (BCC)2. The application of uncontrolled heating often results in unacceptable scarring. Our ability to control the delivery of heat using a forward-looking infrared (FLIR) camera and a modulated long pulsed (LP) Nd:YAG 1064nm laser has resulted in better outcomes in comparison to traditional destruction techniques3. Use of optical coherence tomography (OCT) enhances our ability to define the tumor margins prior to treatment. The combination of FLIR and OCT allows very precise treatment of BCCs with at least comparable outcomes to conventional LP Nd:YAG treatments.