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The Tilakamañjarī, Dhanapāla's poem in prose (gadyakāvya) is one of the masterpieces of classical Sanskrit literature and deserves to be better known. What he says in one of the introductory verses about his contemporary audience is also true about the readers of our time: “People, smelling danger, turn away from prose which contains a forest of unbroken lines (i.e. compounds filling whole lines) and lots of descriptions, as they keep away from the many-coloured tiger which lives in the dense Daṇḍaka forest”. Although Dhanapāla shows more restraint in his descriptions and in the use of alliteration and long compounds than his illustrious predecessor Bāṇa, the extremely intricate plot of the Tilakamañjarī might discourage those who otherwise appreciate Sanskrit poetry. I am certain, however, that once a taste for gadyakāvya is acquired all these deterring factors turn into sources of delight.

This paper contains a critical edition of an unpublished Sanskrit play preserved in an incomplete Nepalese manuscript dated to 1382. In the introduction an attempt is made to determine when and where the play might have been written, and on what possible sources the plot is based.

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