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The paper provides an overview of the main periods of formation of Russian street art as an artistic phenomenon. It analyzes the role of leading authors and associations that have played a key role in the development of this type of art. The study identified the structure and characteristic features of Russian street art. Street art is a specific form of contemporary urban visual art, characterized by a wide variety of creative concepts and artistic techniques. Street art works are always contextual, to a greater or lesser extent integrated into the urban aesthetic and communication environment, and as a rule, stylistically and thematically relevant, aimed at direct dialogue with the viewer. In Russia, street art emerged in the late 1990s and early 2000s as a continuation of artistic practices of the graffiti subcultures and included three periods of its subsequent formation and development: 1995–2005 — the formation of an artistic phenomenon; 2005–2015 — development and public recognition; 2015 till present — active expansion into the information and media space, into the field of art and design, institutional recognition. The development of street art in Russia, as well as throughout the world, is affected by the global mass visual culture, however, in the last decade, an alternative trend has been gaining momentum, which consists in the active use of national artistic and imaginative content. Thus projects reflecting socio-political and cultural agenda that is relevant for Russia and timed to coincide with memorable dates and major events in the country are being promoted and approved.

Printed textiles are one of the most ancient and significant branches of the design of textiles, the development of which, within the framework of the European cultural tradition, includes consideration of such questions as canonical schemes of ornamental constructions and style trends of fine art. The end of XVIII-beginning of XIX century was a period of flourishing of French applied art, its dominance in Europe as a generally recognized standard. It was also a period of rising public interest in French literature, the images of which were embodied in one of the most widely replicated types of applied art-ornamental printed textiles. The article describes the main sources of ornamental plot compositions of French printed textiles of the late XVIII early XIX century. The emergence reasons in drawings of a heel-tap of these or those characters and scenes from literary works are defined, the semantic analysis is carried out them. The technique of the translation of art and graphic language of a book illustration in language of subject textile ornamentation is revealed.

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