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A photometric method is described which enables a speedy exploration of configuration factors to be made. The method can also be used to solve the reverse problem of finding the positions with respect to a radiator at which there is a given configuration factor. Whereas the method can be applied more easdy to two-dimensional sources of radiation, it can also be applied to many three-dimensional radiators.

A vibrant discourse linking happiness and well-being to zheng nengliang正能量‎ (“positive energy”) has emerged in China since 2012. Drawing from a variety of disciplines and cultural resources, including positive psychology and ancient cosmological notions, zheng nengliang as a discursive practice is inseparable from wider processes that connect emotional intelligence and happiness with subject- and class-making in the reform era. This chapter outlines the holistic and embodied dimensions of zheng nengliang in popular discourse, and examines how zheng nengliang is used to express emotional well-being and socioeconomic stratification in four public service adverts. Contributing fresh insights into how happiness is promulgated and how happy subjects are constructed in China, it extends the scholarly literature at the intersections of Chinese studies, happiness studies, and media studies.

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Through qualitative interviews and examination of textual sources, this essay investigates the gendered, class and cultural subjectivities of transnational, highly-educated Chinese men living and working in London. Narrative analysis of the interviews of two participants suggests that they exhibit hybrid “bricolage masculinities,” which incorporate elements from Western educational and corporate cultures, and also appropriate concepts and practices from the Confucian tradition of moral self-cultivation. A discussion of contemporary texts that support the revival of Confucian masculinities illuminates the discursive context in which the participants’ ethical self-fashionings take place. The study argues that the cosmopolitan yet culturally embedded masculinities of the participants are suggestive of how professional Chinese men, as they step onto the world stage, seek to insert themselves more advantageously into local and global power relations of gender, class and nation.