This paper discusses gilded wreaths from the Greek world, which were sometimes buried in graves in the period between the fourth century BC and Roman times. It is based upon a study undertaken by the author for her doctoral thesis. A categorisation into seven types is proposed, based on first-hand study of some 170 wreaths. Some of the wreaths studied are presented here and a detailed description of one representative example of each type with contextual information is set out in the Appendix. It is not clear whether gilded wreaths were worn in life, but their main use seems to have been funerary. Most were intended for the head, and some ideas as to how the various types may have been worn are proposed. Suggestions as to the probable origin of each of the various types are made, with caveats. The author was able to analyse many wreaths, enabling her to draw some conclusions as to the materials used; the results most relevant to the seven specimens described in the Appendix are set out in the two tables. There follows a discussion of the gilding technique used, which in most cases involved an application of a clay coating and adhesive beneath the gold. Some items with similarities to gilded wreaths are then discussed to set them in context: gold wreaths, terracotta jewellery and single leaves. The paper reviews the four main uses with which wreaths are associated in ancient Greece, all connected (religious purposes; on death; at the symposium and banquets; and to honour victorious athletes and other outstanding persons) before offering some explanations as to why gilded wreaths may have been buried in graves.

In 1952 Sinclair Hood found a large deposit of pottery in front of the Great Poros Wall at Mycenae and published a brief account of its discovery the following year. In 1966 Elizabeth French published a paper discussing the pottery, assigning it an early Late Helladic IIIB1 date. From these accounts, we know that the deposit appeared in four trenches: Prehistoric Cemetery Central (PCC) III, where it sat on a surface of hard tramped earth; PCC IV, where it lay on bedrock; and PCC III Extension East and Area VII, where it rested on white clay plaster floors. But otherwise we learn little about the stratigraphy of these four trenches. Using Hood's unpublished excavation notebook, this paper examines the stratigraphy of the trenches associated with the deposit and uncovers the archaeological history of the area. In doing so, it reveals several omissions in the published accounts, most notably that there was another surface immediately below the white clay plaster floor in PCC III Extension East and a deposit of pottery associated with it. The pottery from this layer, designated Level 3, was mistakenly included by French in her paper. Fifty-four decorated sherds from Level 3 were kept, seven of which were illustrated by French. Most of the sherds come from small stirrup jars; kylikes, including the Zygouries type; Group A deep bowls; and stemmed bowls. The five most popular motifs on the sherds are the flower, whorl-shell, wavy line, parallel chevrons and panelled patterns. The shapes and motifs reflect those in the main pottery deposit and indicate a date of early Late Helladic IIIB1 for the group. The conclusion emphasises the importance of using excavation notebooks in research.