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This article reflects on a Situationist dérive in Central London, which mobilised a creative engagement with the city’s Quaternary history (the last 2.6 million years). The aim was to animate paleoecological knowledge in the resistant, opaque and frenetic environment of a dense urban centre. This brief excursion into an alternative London is offered as a model for contemporary drifting that stretches out beyond our immediate situation to connect to successive geological and biological strata, reframing experiences of the urban environment through shifting scales and chronologies. The Situationists had declared ‘sous les pavés, la plage!’ (under the paving stones, there is a beach!), evoking the playful space of possibility behind the veneer of the city’s systems and structures. This drift aimed to search even deeper, encountering spectral inhabitations revealed by the bones beneath the streets. The article argues that uncovering these hidden ecologies has the potential to counter the urban prevalence of spectacular representations of wildlife and develop an eco-politics of co-existence.

This article offers a textual "deep map" of a series of experimental commutes undertaken in the west of Scotland in 2014. Recent developments in the field of transport studies have reconceived travel time as a far richer cultural experience than in previously utilitarian and economic approaches to the "problem" of commuting. Understanding their own commutes in these terms-as spaces of creativity, productivity and transformation-the authors trace the development of a performative "counterpractice" for their daily journeys between home and work. Deep mapping-as a form of "theory-informed story-telling"-is employed as a productive strategy to document this reimagination of ostensibly quotidian and functional travel. Importantly, this particular stage of the project is not presented as an end-point. Striving to develop an ongoing creative engagement with landscape, the authors continue this exploratory mobile research by connecting to other commuters' journeys, and proposing a series of "strategies" for reimagining the daily commute; a list of prompts for future action within the routines and spaces of commuting. A range of alternative approaches to commuting are offered here to anyone who regularly travels to and from work to employ 1

This article reflects on a two-day creative workshop at Knepp Castle Estate in October 2017. Knepp is the location of a large-scale 'rewilding' project established in 2002, which uses free-roaming herbivores to cultivate habitat change and restore natural processes. Using collaborative performance-making strategies, participants attempted to respond and contribute to the complex ecology of the site, exploring the potential for productive exchanges between human and nonhuman actors. The article focusses on a series of 'wild performatives' that occurred during the event. Focussing on three applications of this concept, it explores a range of affective encounters with the ecologies, practices and concepts of rewilding.

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