Pigments from wood-decay fungi (specifically spalting fungi) have a long history of use in wood art, and have become relevant in modern science due to their longevity and colorfastness. They are presently under investigation as colorants for wood, bamboo, oils, paints and textiles. Major hurdles to their commercialization have been color repeatability (in that the same strain of the same species of fungus may produce different colors over time), and the binding of the pigments to glass storage containers. This is persistent as they do not naturally exist in a loose form. Due to these issues, the ‘standard’ color for each was historically determined not by the amount of pigment, but by the color in a solution of dichloromethane (DCM), using the CIE L*a*b colorspace. This method of standardization severely limited the use of these pigments in industrial applications, as without a dry form, standard methodologies for repeatable color processing into other materials could not be easily implemented. Recent studies have developed a method to crystalize the red pigment from Scytalidium cuboideum (Sacc. & Ellis) Sigler & Kang, producing a highly pure (99%) solid crystal named ‘Dramada’. Herein a method is detailed to compare the molarity of this crystallized pigment to variations in the color, to determine a color saturation curve (by weight) for the pigment from S. cuboideum in DCM and acetone. The molarities for this experiment ranged from 0.024 mM to 19 mM. Each molarity was color read and assigned a CIEL*a*b* value. The results showed that there was a correlation between the molarity and color difference, with the maximum red color occurring between 0.73 mM and 7.3 mM in DCM and between 0.97 mM to 0.73 mM in acetone. Extremely low molarities of pigment produced strong coloration in the solvent, and changes in molarity significantly affected the color of the solution. Having a saturation and color curve for the crystal ‘Dramada’ from S. cuboideum will allow for the reliable production of distinct colors from a known quantity (by weight) of pigment, erasing the final hurdle towards commercial development of the crystallized pigment from S. cuboideum as an industrial dyestuff.

Textile inkjet printing is an increasingly popular process in the textile industry, as it allows for the incorporation of complex and detailed patterns onto fabrics, as well as the production of small and medium volumes of printed text. Unfortunately, most of the dyes used by the textile industry come from synthetic and/or non-renewable sources. There has been some research to date in using fungal pigments from wood rotting fungi (‘spalting’ fungi) as textile dyes, however these have never been tested in inkjet printing. Of particular interest is the red crystallizing pigment from Scytalidium cuboideum, which has previously shown exceptional stability on textiles. To test this pigment in an inkjet setting, cotton and polyester fabrics were printed with three different ink formulations involving the red pigment: hexadecyltrimethylammonium bromide (CTAB), ethanol, and acetone. The CTAB and ethanol-based ink formulations formed a ‘mesh-like’ structure on the surface of the cotton and polyester fibers, and turned the fabric purple. Acetone formulas formed crystal structures on the surface and turned the fabric red. These results show promise for turning the red pigment of S. cuboideum into an environmentally friendly, inkjet colorant, however further research is required to evaluate the crocking and explain the crystallization differences between inks.

UV-light degradation of wood is one of the top reasons for consumer replacement of outdoor wooden structures. This type of degradation is seldom mechanical, and is instead often motivated by loss of aesthetics (graying). There are numerous commercial products available on the market that deal with this loss of color, many of which contain added pigments to ‘rejuvenate’ or ‘revitalize’ greyed wood. These pigments are almost uniformly synthetic. In contrast, pigments from wood decay fungi (spalting), which have been used in woodworking since the 1400s (intarsia), have remarkable optical (UV-light resistance) properties due to their naphthoquinonic configuration. In recent years the pigments made from these fungi have been extracted and tested across numerous substrates, from solar cells to textile dyes. In this work, researchers extracted pigments from Scytalidium cuboideum (red pigmentation) and Chlorociboria aeruginosa (blue-green pigmentation), solubilized the pigments in raw linseed oil, and tested the resulting solution on samples of Douglas-fir (Pseudotsuga menziesii) and western white pine (Pinus monticola). These mixtures were compared against a ‘stain and coat’ treatment (utilizing an aniline stain and coated with raw linseed oil), raw linseed oil, and untreated wood. The wood samples were then placed in an accelerated weathering machine (Q-UV) following the ASTM G154 standard, for 500 and 1000 h. The results showed that while no visible color change occurred to the wood when the pigmented oil was applied, the red pigment oil significantly lowered the coating degradation for both wood types at an exposure of 500 h. The results show the potential applications for fungal pigments in the wood coating industry, as it offers an increased coating service life. As there is a shift to renewable products, the pigments from wood decay fungi show potential as additives for wood coatings.

Pollution from the international dye industry continues to be a global problem. Biotechnology offers new options, including a closer look at select wood decay fungi to replace inorganic dyes. The pigments produced by a small group of soft rotting fungi are generally naphthoquinonic and remarkably stable. From this group, the dramada crystals, produced by Scytalidium cuboideum, are of particular interest. To test the application of this pigment as a natural colorant of cellulosic pulps, four different bleached pulps were selected (one hardwood, three softwood), in three different mediums (acetone, ethanol, and DI water). The pigment generated a significant change of color, but there was no significant difference in color intensity based on the solvent carrier. These preliminary results are promising as they open the door for further exploration of applications of fungal pigments in the paper industry. Once these pigments can be reliably grown, they will offer a sustainable organic alternative to polluting inorganic dyestuffs and help reduce the toxic effluent released into the soil and waterways.