Throughout the long term, Indian journalists have tended to or addressed issues such as the incredible and predictable rise of the west and its impact on forming global governmental issues, imperialism and its impact on India's current socio-political construction, and much more that has a sense of history attached to it in their books. Few people can come up with tiny jabs and quips that exactly reflect the speech patterns of the country's lower-class citizens. In Aravind Adiga's “The White Tiger” and Amitav Gosh's “The Shadow Lines,” the risky individuals of Indian culture are largely tamed [1]. They examine themes including globalization, commercialization, the rise of realism, and the social evils that afflict modern civilization, as well as a few others that have the power to alter the advanced human mind. The authors' enlightened attitude toward the underclass is evident in their writing. This study also looks into the impact of fragmentation on federation, as well as the challenges of distance and existential crises in the lives of the burdened.

Women in India are frequently depicted as silent victims. They are portrayed as defenders of traditional Indian culture. They will be cast in a variety of roles in India, including mother, spouse, girl, sister, love, whore, and so on. The contemporary man-centered culture is largely responsible for this way of life. In Indian society, women placed a high value on helping others and being charitable. The primary focus of this paper is on Anita Nair’s novel “Mistress” and Gita Mehta's novel “The River Suthra”, which explores the perspectives on current female contemporary scuffle [1]. The portrayal of their memorable women protagonists and the feminist tone in their novels make them one of the most outstanding female Indian novelists in English. These narratives have an uncanny ability to penetrate closed worlds. The goal of this study is to learn more about Anita Nair and Gita Metha's abilities in the contemporary scuffle over the deeper components of a woman's personality in the selected novels.

Women are unable to break out of these traditional positions as a result of the maledominated society's obstructive perspective. Regardless of how much Indian culture has progressed, traditional tasks for women continue to be assigned. She is imprisoned within the four walls of her home, with no one to whom she can vent her rage. Whether or not she is provided common consolation, she, the quiet, bends over backwards to allow others to hear her pain, which is usually unnoticed [1]. The purpose of this proposal is to light a horrifying issue concerning the existentialism of a humiliating scenario that female protagonists in the books "where shall we go this summer" by Anita Desai and "Queen of dreams" by Chitra Banerjee Divakaruni which explains the study of existential predicaments of women. The focus of this journal is on two amazing Indian female essayists who have made a name for themselves via their writing. It also depicts how existentialism predicament of the female protagonists.

Since the dawn of civilization, there has been a struggle to liberate women from male dominance. Previously, female creators' work has been disparaged due to man-centered thinking. In Indian culture, female clash is a proclamation of animosity toward any woman who has been treated unfairly. It alludes to any abstract structure that leads to a novel with a key focus on the woman experience's characteristics [1]. The various variations against which women's activists have protested legal, monetary, and cultural restrictions on women's basic rights can be traced back to the beginning. It argues for equal freedoms, positions, and authority for men and women, based on the concept of 'gender balance.' Female English writers frequently discuss the pressures of ceremony and development. Deshpande's novels are feminist in nature since she understands the inner workings of a woman's psyche. A lady's quest for her own character and self-disclosure disrupts her employment. This article applies Shashi Deshpande's female heroes from her novels "The Binding Vine" and "A Matter of Time" to an examination of public debate.