The process of integration of Syrian newcomers into Canada is multifaceted. The Canadian government, in its efforts to welcome refugees, has provided services that smooth this process over on many fronts. While financial and support services are essential to feelings of comfort, safety and security, feelings of identity and belonging constitute a never-ending process. In a globalized world, country of residence can easily change, but attachment to issues in the country of origin enlists a much more complex relationship. This article seeks to explore Syrian newcomers’ pre-migration and post-migration experiences and the influence of such experiences on their sense of belonging and identification. This article also seeks to understand their media-consumption habits. In doing so, the level of involvement of Syrian refugees in issues of host society versus issues in Syria or the Arab world becomes apparent. Through highlighting their level of involvement, this research hopes to uncover the feelings of responsibility to democratic change and the revolutionary process in Syria.

Our special issue captures the interplay of media, politics, religion, and culture in shaping Arabs’ search for more stable governing models at a crossroads of global, regional, and national challenges through systematic and integrated analyses of evolving and contested Arab visual and performing arts in revolutionary and unstable public spheres. The issue presents a unique attempt to investigate these forms of cultural production as new modes of knowledge that shed light on the nature of social movements with the aim of expanding the critical reach of the disciplinary methods of political discourse and social theory. Contributors articulate the ways in which the Arab scene can contribute to the understanding of the rise of new social movements worldwide by exploring the methodological gaps in dominant Western discourses and theories.

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Since the beginning of the Syrian Crisis in 2011, millions of refugees from Syria and Iraq have been displaced. Over 25,000 Syrian newcomers settled in Canada between 2015 and 2016.1 The Region of Waterloo, home to a population of approximately 535,000 by 2016,2 was where about 2,000 of these newcomers settled.3 This article argues that these newcomers have used arts and culture to navigate the difficulties of settlement and acculturation. Evidence from newspaper articles, interviews, and participant observation indicates that refugees from Syria and Iraq in this region have utilized dance and theatre to develop community that retains cultural connections and identity linked with Syria and the greater Levantine region. Professional and community arts initiatives spearheaded by refugees showcase how culture and identity are caught up in continuous circulations of culture that are geographically situated in the Canadian context. For Syrian and Iraqi refugees in the Waterloo Region, acculturation, nostalgia, and assimilation are complex and powerful sites of community.