This article experiments with combining three concepts— coordination, assemblage, diagram—to make vivid the composition of a satoyama forest in central Japan. The forest comes to life as a more-than-human assemblage that emerges through coordinations established by evolutionary and historical accommodations to life cycles, seasonal rhythms, and activity patterns. These coordinations are expressed through a diagram of intersecting temporalities of people, plants, and woodlands that condition the flourishing or decline of wild matsutake mushrooms. Working diagrammatically, we can better articulate how juxtapositions of humans and non-humans become assemblages that hold together through coordinations—without a unified purpose or design. We argue that understanding coordination is key to more livable multispecies worlds.

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