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Complexity science refers to the theoretical research perspectives and the formal modelling tools designed to study complex systems. A complex system consists of separate entities interacting following a set of (often simple) rules that collectively give rise to unexpected patterns featuring vastly different properties than the entities that produced them. In recent years a number of case studies have shown that such approaches have great potential for furthering our understanding of the past phenomena explored in Roman Studies. We argue complexity science and formal modelling have great potential for Roman Studies by offering four key advantages: (1) the ability to deal with emergent properties in complex Roman systems; (2) the means to formally specify theories about past Roman phenomena; (3) the power to test aspects of these theories as hypotheses using formal modelling approaches; and (4) the capacity to do all of this in a transparent, reproducible, and cumulative scientific framework. We present a ten-point manifesto that articulates arguments for the more common use in Roman Studies of perspectives, concepts and tools from the broader field of complexity science, which are complementary to empirical inductive approaches. There will be a need for constant constructive collaboration between Romanists with diverse fields of expertise in order to usefully embed complexity science and formal modelling in Roman Studies.

SummaryThis paper aims to contribute to the discussion of the social functions of Aegean wall painting, by examining the communicative impact and possible socio‐symbolic significance of Theran murals in the urban landscape of Late Bronze Age Akrotiri (Thera, Greece). It uses a novel method of computational analysis to investigate the visibility of mural painting in the prehistoric townscape which combines the functionalities of 3D modelling and Geographic Information Systems (GIS). The benefits of this approach lie in that it considers virtually all observer locations in the study area, while taking more fully into account the precise shape of built forms and the physiological structure of the human visual system than other established methods of visibility analysis used in landscape and urban studies. The application of the methodology in the townscape of Akrotiri highlights some previously unobserved spatial relationships that could have played a role in enhancing the communicative impact of Theran murals in the LBA built environment, consequently encouraging the wide production of mural decoration in the settlement.