The first decade of the new millennium saw renewed interest in popular culture featuring zombies. This essay shows that a comparative analysis of nightmares can be a productive method for analyzing salient themes in the imaginative products and practices of cultures in close contact. It is argued that zombies, as the first modern monster, are embedded in a set of deeply symbolic structures that are a matter of religious thought. The author draws from her ethnographic work in Haiti to argue that the zonbi is at once part of the mystical arts that developed there since the colonial period, and comprises a form of mythmaking that represents, responds to, and mystifies the fear of slavery, collusion with it, and rebellion against it. In turn, some elements of the Haitian zonbi figure can be found in patterns that haunt recent American zombie films. Zombies in these films are read as figures in a parable about whiteness and death-dealing consumption. This essay suggests that the messianic mood surrounding the presidential candidacy of Barack Obama was consistent with a pattern in zombie films since the 1960s where many zombie-killing heroes are figured as black American males. Zombies are used in both ethno-graphic and film contexts to think through the conditions of embodiment, the boundaries between life and death, repression and freedom, and the racialized ways in which humans consume other humans.

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Animals have been kept in captivity since around the time of the ancient Egyptians. Over the centuries people have captured and maintained groups of wild animals for numerous reasons, ranging from the display of wealth to education and conservation. However, Homo sapiens has not always treated its fellow creatures well and this has led, more recently, to the development of legislation and codes of ethics in order to improve the welfare of animals in human care. This article describes some historical attitudes to captive wild animals and reports on the development of the WAZA Code of Ethics in 1999.

This essay extends the literature on the militarization of everyday life to argue that contemporary military metaphors and practices have become a generative force animating the sphere of Christian prayer. The wars of the twentieth century and the corresponding process of militarization have affected almost every aspect of ABSTRACT This article examines how militarism has come to be one of the generative forces of the prayer practices of millions of Christians across the globe. To understand this process, I focus on the articulation between militarization and aggressive forms of prayer, especially the evangelical warfare prayer developed by North Americans since the 1980s. Against the backdrop of the rise in military spending and neoliberal economic policies, spiritual warfare evangelicals have taken on the project of defending the United States on the "spiritual" plane. They have elaborated a complex theology and prayer practice with a highly militarized discourse and set of rituals for doing "spiritual battle" and conducting "prayer strikes" on the "prayer battlefield". The work draws on ethnographic fieldwork at an intensive spiritual warfare boot camp organized by a group of Native Americans who have founded a training base in Oklahoma dedicated to training recruits in the theology and practical strategy of spiritual warfare. Despite their hyper-aggressive rhetorical and ideological stance, members of this network in fact practice self-sacrificial rituals of fasting, holiness, and submission to the Holy Spirit. Native prayer warriors are using spiritual warfare prayer to assert a privileged place for themselves in Christian life as heirs of God's authority over the stewardship of North American land and as central to the project of repairing sinful pasts both on and off the reservations, reconciling present racial conflict, and defending the land in spiritual battle against new immigrant invasions by foreign, demonic forces.