This article provides a starting place for those interested in leading and developing teams of clinicians.

The American soundscape changed dramatically during the early decades of the twentieth century as new acoustical developments transformed both what people heard and the ways that they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the sound stages of Hollywood. The result was that the many different spaces that constituted modern America began to sound alike—clear, direct, efficient, and non-reverberant. While this new modern sound said little about the physical spaces in which it was produced, it has much to tell us about the culture that created it. This talk will explore the history of modern sound and modern culture in early twentieth-century America.

No abstract