<p>Combat sports such as taekwondo, where athletes compete against an opponent require control of technique and tactics, as well as knowing the optimal performance of opponents to win the bout. Therefore, the aim of the present study was to analyse the Olympic competitors (London Olympic Games), according to the weight category (fly, feather, light and heavy) and according to the performance in their fighting (winner vs. loser) in each gender. An observational methodology was used, following a nomothetic, follow-up and multidimensional design of 302 individual performances. The statistical analysis used an ANOVA and T Student test for comparing frequencies. The results obtained indicate significant differences between weight categories, that is, lighter competitors performed more actions than heavier ones. Female heavier competitors performed more defensive actions (blocks and cuts) than lighter competitors. Regarding their performance, winners performed more anticipated, 1 and 3-point actions than losers who performed more indirect and spinning actions with back leg. Therefore, there is a different technical-tactical behaviour between taekwondo athletes depending on the categories and the result of the combat, suggesting to emulate winners, performing more anticipated actions to both trunk and head, as well as training the most used technical-tactical actions according to the athletes’ competition weight category.</p>

Dancers are subjected to high-intensity workouts when they practice dancesport, and according to the literature, they are prone to injury, primarily of the lower limbs. The purpose of this study was to determine whether differences exist in relative activation amplitudes for dancers involved in dancesport due to muscle, gender, and type of dance. Measurements were carried out using surface electromyography equipment during the choreography of a performance in the following leg muscles: rectus femoris, biceps femoris, tibialis anterior, and gastrocnemius medialis. Eight couples of active dancesport athletes (aged 20.50±2.75 yrs) were analyzed. Significant gender differences were found in rumba in the tibialis anterior (p≤0.05) and gastrocnemius medialis (p≤0.05). Based on the different activations, it is possible to establish possible mechanisms of injury, as well as tools for preventing injuries and improving sports performance.

This study aimed to describe the response of heart rate (HR) and the subjective rating of perceived exertion (RPE) during a simulated DanceSport competition. The mean and maximum HR of 18 dancers of the highest level were evaluated during a simulated DanceSport competition consisting of 5 Latin dances. RPE values were recorded immediately after each dance. The dances were ranked as follows according to the mean HR (samba [165.3 ± 16.3 bpm] < rumba bolero [176.9 ± 9.9 bpm] < cha-cha-chá [179.1 ± 11.4 bpm] = paso doble [182.5 ± 12.5 bpm] = jive [184.3 ± 11.4 bpm]); maximum HR (samba [185.6 ± 8.9 bpm] = rumba bolero [187.0 ± 9.1 bpm] < cha-cha-chá [190.1 ± 8.0 bpm] = paso doble [191.4 ± 9.0 bpm] < jive [194.2 ± 8.1 bpm]); and RPE (rumba bolero [5.22 ± 1.40] < samba [6.42 ± 2.06] = cha-cha-chá [6.78 ± 1.31] = paso doble [7.39 ± 1.04] < jive [8.33 ± 0.91]). The only significant correlation between RPE and HR values was observed for the maximum HR during the first dance of the competition (samba) (r = 0.485). A simulated DanceSport competition causes high physiological stress being influenced by the type of dance.