The article places Francisco Suárez (1548–1617) and his position on the ontological status of artifacts against the Medieval philosophical background. It is concluded that Suárez is an artifact realist. However, Suárez’ realism concerning artifacts is of a minimalist kind. Inscribing himself into the realist tradition, Suárez affirms that an artifact has an “artificial form”, a ‘forma artificialis’. However, this form is not a thing in its own right, but rather has the status of a mode. Further, the artificial form is not a mode of substance, but rather of quantity. Hence, Suárez can rightly be called a minimal realist concerning artifacts. In an additional section, the role of the exemplar in the production of an artifact is explored. Suárez counts the exemplar among the efficient causes, and so, the exemplar in the mind of the artisan is one of many efficient causes that together produce and determine the artifact.