This paper explores the impact of robot adoption on European regional labour markets between 1995 and 2015. Specifically, we look at the effect of the usage of industrial robots on jobs and employment structures across European regions. Our estimates suggest that the effect of robots on employment tends to be mostly small and negative during the period 1995-2005 and positive during the period 2005-2015 for the majority of model specifications. Regarding the effects on employment structures, we find some evidence of a mildly polarising effect in the first period, but this finding depends to some extent on the model specifications. In sum, this paper shows that the impact of robots on European labour markets in the last couple of decades has been ambiguous and is not robust. The strength and even the sign of this effect are sensitive to the specifications, as well as to the countries and periods analysed.

This paper explores new data sources on multilateral trade in films among EU countries and with the USA in offline cinema and in online video-ondemand distribution. We observe variations in trade patterns across countries and films and explore how they affect cultural diversity. We find that the EU film market is highly fragmented and cross-border film availability in cinema is low. We explore different aspects of the cultural discount hypothesis by means of a standard Helpman and Krugman (Market structure and foreign trade. Increasing returns, imperfect competition, and the international economy, MIT Press, Cambridge, 1985) trade model with economies of scale and a two-stage Heckman (Econometrica 47(1):153-161, 1979) estimation procedure. Our results show that cultural distance, success in the home market and the size of the film budget influence trade of films between countries. US films have a lower propensity to get into export markets, relative to their success in the home market. Consumer demand for imported films is relatively smaller in large EU economies, except for films imported from the USA that are only marginally affected. We also show that trade patterns in online film distribution are not fundamentally different. As online distribution occurs downstream from theatrical release, online distributors can benefit from cinema market experience to make a better selection of films. This results in a lower impact of domestic market shares on online trade patterns.

It aims to provide evidence-based scientific support to the European policy-making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication.

No abstract