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A Polyphonic Story. Authorship in the Geschiedenis van de Nederlandse literatuur Authorship is a 'trending topic' in literary studies: specialists from all periods and languages have published widely on various topics such as posture, selffashioning, and autonomy. This contribution investigates how these recent debates found their way into the new series of literary histories published on behalf of the Taalunie since 2006 (GNL). We discuss this matter along three lines. First, we show that in the different parts of the GNL there are multiple, sometimes contradicting notions of development of authorship. After that, we demonstrate that there does not seem to be a shared terminology: different scholars use words like 'broodschrijver' (hack-writer) with dissimilar meanings and connotations. Finally, it is noted that the writers of GNLvolumes do not have the same ideas about how to deal with authorial (re-) presentation in literary texts. We conclude that, although the editors aimed for a series based on shared starting points, there is not a single narrative about authorship in the GNL-series.

Scholars characterising medievalmulti-text codices often focuslargely on the first and/or longest text in the manuscript.Mycontribution argues that considering the other texts in a codexisessential in order to understand the compilation, acknowledging that neither the size of an individual text, nor its place within the collection solely determinesorpredicts its relevance for interpretingthe compilation as awhole. The idea that what is significantisnot the individualtext, but rather the interplay between all textsinacompilation is illustrated by an in-depth study of Brussels, Bibliothèque royale de Belgique, MS 15642-51.

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