This research article is based on the author�s doctoral research into the question of quality criteria for Christian songs. In many Christian congregations today, the question of music is an emotive issue as the service and its music touch the heart of people�s faith life and shapes people�s theology. Of the many issues that were investigated in the dissertation, this article focuses on one question only, the question of the �cognitive� and the �emotive� value of the songs that are sung in a Sunday service. It will be argued that, in �good� songs, there needs to be a good balance between �cognitive� and �emotive� value. The general question is how to identify songs that can nurture faith and sustain people through life. Characteristic of such songs is, amongst many other criteria, a good balance between the cognitive and emotive value of the text and the tune. In the discussion, the author focusses largely on her own Lutheran liturgical and hymnological tradition as well as on the �Praise and Worship� movement which has a dramatic impact on churches all over the world. The author argues that finding songs that balance the emotive and the cognitive component is an effective way to bridge the divides on worship music within a congregation.Intradisciplinary and/or interdisciplinary implications: Within the discipline of hymnological studies, the article opens a ground-breaking new way to analyse and critique music used in worship with objective tools for analysis. This is, as far as the author knows, new for this discipline, and it also has an effect on other disciplines.

How do songs and Christian hymns shape the identity and theology of Christian communities? How does the identity and theology of a Christian community shape the hymns that are written, sung and collected in song books and hymnals? This article explores these questions from the point of view of the author’s community, the German-descendent Lutheran communities in South Africa, and studies their main hymn book, the Lutheran hymnal from Germany (Evangelisches Kirchengesangbuch [EKG]) which was used from the 1950s until the early 1990s in the congregations. It shows up the strengths and the gaps of these hymns which come from a theology with a strong focus on faith and trust, but a rather narrow personal morality, with the social ethics restricted to doing one’s Christian duty and praying for the government. Comparing this hymnal to the later hymnal published in 1990, the article shows, that some of the blind spots of one generation can be filled in by the next generation of songwriters.

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