We present a new commentary on Robert Grosseteste’s De colore, a short treatise that dates from the early 13th century, in which Grosseteste constructs a linguistic combinatorial account of color. In contrast to other commentaries (e.g., Kuehni & Schwarz, Color Ordered: A Survey of Color Order Systems from Antiquity to the Present, 2007, p. 36), we argue that the color space described by Grosseteste is explicitly three-dimensional. We seek the appropriate translation of Grosseteste’s key terms, making reference both to Grosseteste’s other works and the broader intellectual context of the 13th century, and to modern color spaces.

In his treatise on light, written about 1225, Robert Grosseteste describes a cosmological model in which the universe is created in a big-bang-like explosion and subsequent condensation. He postulates that the fundamental coupling of light and matter gives rises to the material body of the entire cosmos. Expansion is arrested when matter reaches a minimum density and subsequent emission of light from the outer region leads to compression and rarefaction of the inner bodily mass so as to create nine celestial spheres, with an imperfect residual core. In this paper, we reformulate the Latin description in terms of a modern mathematical model, teasing out consequences implicit in the text, but which the author would not have had the tools to explore. The equations which describe the coupling of light and matter are solved numerically, subjected to initial conditions and critical criteria consistent with the text. Formation of a universe with a non-infinite number of perfected spheres is extremely sensitive to the initial conditions, the intensity of the light and the transparency of these spheres. In this ‘medieval multiverse’, only a small range of opacity and initial density profiles leads to a stable universe with nine perfected spheres. As in current cosmological thinking, the existence of Grosseteste’s universe relies on a very special combination of fundamental parameters.

We present a new analysis of Robert Grosseteste’s account of color in his treatise De iride, On the Rainbow, dating from the early 13th century. The work explores color within the three-dimensional framework set out in Grosseteste’s De colore (see Smithson et al, 2012, A three-dimensional color space from the 13th century.” Journal of the Optical Society of America (A), 29 (2), A346-A352), but now links the axes of variation to observable properties of rainbows. We combine a modern understanding of the physics of rainbows and of human color perception to resolve the linguistic ambiguities of the medieval text and to interpret Grosseteste’s key terms.

The rainbow has been the subject of discussion across a variety of historical periods and cultures, and numerous optical explanations have been suggested. Here, we further explore the scientific treatise De iride [On the Rainbow] written by Robert Grosseteste in the 13th century. Attempting to account for the shape of the rainbow, Grosseteste bases his explanation on the optical properties of transparent cones, which he claims can give rise to arc-shaped projections through refraction. By stating that atmospheric phenomena are reducible to the geometric optics of a conical prism, the De iride lays out a coherent and testable hypothesis. Through both physical experiment and physics-based simulation, we present a novel characterization of cone-light interactions, demonstrating that transparent cones do indeed give rise to bow-shaped caustics-a nonintuitive phenomenon that suggests Grosseteste's theory of the rainbow is likely to have been grounded in observation.

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