Arsitektur pecinan di Bagansiapiapi merupakan komponen utama pada kawasan kampung pecinan sebagai sebuah identitas dengan berbagai bentukan fasad yang di pengaruhi budaya Melayu lokal. Pertumbuhan dan perkembangan kota yang beorientasi ekonomi sering tidak sejalan dengan pemahaman untuk mempertahankan citra bangunan, sehingga memiliki dampak transformasi distrik yang dapat menghilangkan eksistensi arsitektur pecinan yang saat ini berada atau bersinggungan dengan pusat-pusat komersial kota. Hal ini dapat dilihat pada perubahan bentukan fasad yang terjadi di kawasan Jalan Perniagaan Bagansiapiapi. Tipologi arsitektur fasad bangunan pecinan di lakukan dengan tujuan untuk: (1) Mengetahui karakter bentuk elemen pembentuk fasad arsitektur pecinan, (2) Mendapatkan bentukan yang dominan pada setiap elemen pembentuk fasad, sehingga dapat ditemukan bangunan pecinan yang masih mempertahankan keasliannya. Metode yang digunakan adalah metode kualitatif dengan pendekatan deskriptif, yang diarahkan untuk mendeskripsikan dan mengintrerpretasikan suatu kondisi yang ada. Analisis yang digunakan dengan cara klasifikasi fasad pada elemen arsitektur pecinan melayu diantaranya tipe modul dimensi bangunan, kepemilikan dan fungsi,bentukan komponen fasad (atap, ventilasi, pintu, jendela, dinding, dan panggung). Temuan penelitian ini adalah fasad bangunan pecinan di Bagansiapiapi pada elemen bentukan fasad yang memiliki dominasi: 1) Komposisi modul dimensi inti (a) 1 lantai dengan fungsi rumah tinggal bermaterial kayu, 2) Bentuk atap pelana, bentukan jendela persegi panjang polos dan memiliki ornamen, bentuk pintu dengan dua daun memanjang ke bawah, bentukan jendela memanjang kebawah dengan penempatan komposisi seimbang kanan dan kiri, penyusunan dinding horizontal, penggunaan struktur panggung.   Chinatown architecture in Bagansiapiapi is a significant component of the Chinatown area as an identity with various facade forms influenced by local Malay culture. The growth and development of cities with economic orientation are often not in line with the understanding to maintain the image of the building so that it has the impact of district transformation which can eliminate the existence of Chinatown architecture that currently exists or intersects with the city's commercial centers. This can be seen in the changes in facade formation that occurred in the Bagansiapiapi Commercial Road area. The typology of the facade architecture of the Chinatown building is done with the aim of (1) Knowing the character of the shape of the facade of Chinatown facade, (2) Getting the dominant formation in each facade forming elements, so that Chinatown buildings can still be preserved. The method used is a qualitative method with a descriptive approach, which is directed at describing and interpreting an existing condition. The analysis used through classifying facades on architectural elements of Malay Chinatown includes module types of building dimensions, ownership, and functions, formed by facade components (roofs, vents, doors, windows, walls, and stages). The findings of this study are facades of Chinatown buildings in Bagansiapiapi on facade-shaped elements that have dominance: 1) Composition of modules in the core dimension (a) 1 floor with the function of residential houses with wood material, 2) Form of gable, rectangular plain windows and ornaments, the shape of the door with two leaves extends downward, the shape of the window extends downward with the placement of balanced composition right and left, arrangement of horizontal walls, use of the stage structure

Pertumbuhan dan perkembangan kota sering tidak sejalan dengan pemahaman dalam mempertahankan identitas bangunan sehingga dapat menghilangkan eksistensi arsitektur peninggalan suatu kawasan. Hal ini dapat dilihat dari adaptasi visual arsitektur Melayu di Kampung Tua Tanjung Riau, yang terdapat penduduk asli merupakan etnis Melayu. Perkembang yang semakin pesat serta mendatangkan banyak penduduk baru yang menyebabkan terjadiya akulturasi budaya. Memiliki sebutan Kampung Tua tidak menjamin bahwa daerah tersebut akan terhindar dari pengaruh perkembangan zaman. Tampak bahwa sebagian besar arsitektur pada Kampung Tua Tanjung Riau telah berkembang menjadi lebih modern, sehingga bangunan Melayu yang menjadi identitas kampung tersebut menghilang seiring berkembangnya zaman. Adaptasi Karakteristik visual arsitektur melayu dilakukan dengan tujuan dapat mengetahui karakteristik bangunan tradisional pada kawasan kampung tua yang masih mempertahankan karakteristik Melayu. Penelitian ini menggunakan metode kualitatif deskriptif dengan melihat kondisi eksisiting yang ada pada lokasi. Hasil pada penelitian ini membuktikan bahwa masih ada beberapa bangunan yang masih mempertahankan beberapa karakter visual Arsitektur Melayu yang terlihat dari elemen bangunan seperti tangga, struktur panggung, dinding dan atap.

Chinatown architecture in Bagansiapiapi is a major component of the Chinatown area as an identity with various facades influenced by local Malay culture. The growth and development of cities with economic orientation is often not in line with the understanding to maintain the image of the building, which has an impact on district transformation which can eliminate the existence of Chinatown architecture that currently exists or intersects with the city Commercial center. This can be seen in the changes in facade formation that took place on the Bagansiapiapi Perniagaan street. The typology of facade architecture of the Chinatown building was carried out with the aim of (i)Knowing the character of the facade shape of Chinatown facade, (ii)Getting the dominant formation in each of the facade forming element , so that Chinatown buildings can still be found. The method used is a qualitative method with a descriptive approach, which is directed at describing and interpreting existing conditions. The analysis used by classifying facades on elements of Malay Chinatown architecture includes types of building dimensions, ownership and function modules, which are formed by facade components (roofs, vents, doors, windows, walls, and stilt construction). The findings of this study are the facade of the Chinatown building in Bagansiapiapi on the facade of formation elements that have dominance: 1) Module composition of the core dimensions (a) 1 function of the house floor with wood 2) The shape of the gable, the formation of plain rectangular windows and two long ornaments downward, the formation of the window extends downward by placing a balanced composition right and left, setting a horizontal wall, using a stilt construction.

Bandung has many historical heritage buildings during the Dutch colonial period. Hotel Savoy Homan is one of the historic buildings in the city of Bandung whose function is still in use today and is a cultural heritage building that must be preserved. Hotel Savoy Homan is the first hotel built in Bandung, located on Jl. Asia Afrika 112, 40262 Bandung City, West Java. In this study, the author uses quantitative methods by collecting data through journals, final assignments, websites, and citing literature studies related to the research. Hotel Savoy Homann had an essential role in the 1995 and 2015 Asian-African Conferences events as a stopover for country delegates. From this research, the Savoy Homann Hotel has a colonial architectural style that developed into the famous Art Deco style of its time by having characteristics on the facade of the building having curved points, flat roofs, luxurious interiors, that there are so many cultural heritage buildings in Indonesia and continues to grow from time to time will also continue to be protected and preserved.