This article investigates how playwriting served three middle school Black girls within a larger practitioner research study seeking to better understand the literate practices of girls of color. It delves into the ways that playwriting provided the girls in an afterschool writing club opportunities to explore both their knowledge and ways of knowing, rooted in their cultural, gendered, and racialized experiences, and, in turn, share these with others, within an academic setting. It points to the necessity for creating writing pedagogies that celebrate experiential, cultural, emotional, and relational knowledge, using playwriting as an example.
In this article, I build off of AsianCrit, WOC, and AsAm feminisms, and theories of literacies that unpack dynamic processes of meaning making rooted in cultural, linguistic, gendered, and raced practices. Much of the theoretical basis of this article arises from possibilities forged by the work of Black and Latina theorists ho have developed frameworks to better under stand GOC and WOC beauty and brilliance. I stand with these scholars and with often obscured AsAm woman theorists "People Get Mistaken": Asian American Girls Using Multiple Literacies to Defy Dominant Imaginings of Asian American Girlhood | 433
This article reports on an out-of-school practitioner researcher study, the Community Researchers Project, involving predominately Indonesian youth who were members of a Catholic parish in a diverse multilingual neighborhood of our city. The lives and learning of many of the youth in the Indonesian immigrant community were, to a large extent, invisible in the research literature or homogenized through broader generalizations regarding Asian Americans, such as the myth of the "model minority." Through analysis of several representative student inquiries, we argue that practitioner research can be an effective methodological vehicle for unearthing "buried" personal and collective histories that impact students.
This article will explore what I have conceptualized as critical celebration within an afterschool writing club for and with Girls of Color (GOC). Using a feminist of color theoretical framework and building upon existing literature about GOC and their writing practices, critical celebration will be defined as a lens used to view GOC as important, dynamic, and brilliant in the face of an overabundance of deficitizing narratives and erasure, and to also open opportunities for girls to view the experiences and identities of GOC like them and unlike them as important sources of knowledge as they develop critical insights toward solidarity across difference. Using this definition, I will then describe the ways the feminist of color writing pedagogy engaged in this group made space for critical celebration of and by GOC, thereby offering important implications for justice-oriented literacy education, not only for GOC, but for all students.
This article narrates the contours of a digital “kitchen table talk”–a conversation that brought together WoC from various areas of literacy and language education to discuss the state of the field and the next steps in transforming literacy studies and education for GFoC. Using bell hooks’s concept of “homeplace,” we bring together the reflections of eleven WoC across intersected Black, Latina, and Asian identities to examine the realities of GFoC, the urgency around their lives and needs, as well as self-examination of our role in the academy taking up feminist projects with GFoC.
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