RESUMEN:El presente trabajo tiene como principal objetivo conocer los niveles de representatividad del libro de texto en el aula de música de Educación Primaria y describir algunos de los principales motivos que determinan su utilización. La población de este estudio está constituida por todos los centros de Educación Primaria de la Región de Murcia y se ha optado por un muestreo intencional. El instrumento utilizado ha sido una ficha de recogida de datos, a partir de los cuales se ha realizado un análisis cuantitativo mediante la utilización de estadísticos descriptivos. Los resultados revelan una importante presencia del libro de texto en las aulas de música originada, principalmente, por el apoyo que éste ofrece al profesorado en tareas de planificación y preparación de clases.Palabras clave: Educación Primaria, educación musical, libros de texto, profesorado.ABSTRACT: This paper's main objective is to know the levels of representation of the music textbooks in Primary School and describe some of the main reasons that determine their use. The population studied consists of all Primary Schools in the Region of Murcia and a purposive sampling been chosen. The instrument used was a data collection form, from which a quantitative analysis has been made using descriptive statistics. The results reveal a significant presence of the textbook in the music classrooms caused, mainly, by the support that it offers to teachers in planning tasks.

The aim of this study is to detect and analyse mistakes in musical activities included in Early Childhood Education textbooks from a musical and didactic viewpoint. The sample comprised 2,200 activities corresponding to the textbooks of four leading publishers in Spain. An instrument designed ad hoc for collection of information was developed, proposing a taxonomy of mistakes in three categories: musical, didactic and worksheet. Results revealed that 22.6% of analysed activities contained some type of mistake. The most frequent were in the musical category (concepts, terms or graphic representation), followed by didactic (level, planning or methodology) and, finally, those related to student worksheets.

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The aim of this study is to evaluate the effectiveness of an intervention program, based on music, movement, and dance, aimed at improving motor skills in children at risk of developmental coordination disorder (DCD). Participants comprised 70 primary school children (47 boys/23 girls) aged between 6 and 8 years. Participants were given the Spanish adaptation of the Movement Assessment Battery for Children–Second Edition (MABC-2) to identify difficulties and initially classify into three groups: a group of 17 at risk of DCD who participated in the intervention program (Experimental Group), a group of 18 at risk of DCD who did not participate (Control Group with Risk) and a group of 35 children, with scores higher than the cutoff point (Control Group without Risk). The results show a significant improvement in the motor skills of children who participated in the intervention program, while those in the Control Group showed no significant changes in the second evaluation compared with the first. Likewise, it could be affirmed that this intervention based on group activities involving music, movement, and dance is a very successful blend for motor improvement in children with coordination problems, due to the combination of cognitive stimulation areas and techniques.

El presente trabajo ofrece una visión general del fenómeno de la danza en el ámbito de la educación. En un primer momento se realiza una exposición de los diferentes componentes o aspectos del ser humano sobre los que la danza incide de forma más evidente. Posteriormente se presenta una revisión de las definiciones propuestas por diferentes autores que consideramos más relevantes y se incluye una definición propia del concepto. También se destacan las aportaciones de la danza a la educación desde el punto de vista social, físico, intelectual y afectivo y se señalan los mayores problemas que esta disciplina ha tenido para ser incluida como una materia más: falta de formación del profesorado, falta de recursos y espacios adecuados y discriminación de género. Finalmente, se concluye con una reflexión sobre las formas de danzas más adecuadas en el ámbito educativo.Palabra clave: danza, baile, educación, movimiento, expresión corporal.Abstract: This paper provides an overview of the phenomenon of dance in the field of education. At first, it is made a presentation of the different components or aspects of human beings on that dance impacts in a more obvious way. Subsequently, we present a review of the definitions proposed by different authors that we consider most relevant and it is included a personal definition of the concept. It also highlights the contributions of dance to education in terms of social, physical, intellectual and emotional development and identifies the major problems that this discipline has had to be included as a subject: lack of teacher training, lack of adequate space and resources and gender discrimination. Finally, it concludes with a reflection on the most appropriate forms of dance in the educational context.Key words: dance, education, movement, corporal expressión.